Responsible for the film and documentary department

Gugge is one of GiLyds most experienced sound masters. He began his career during his education at the Danish film school back in the 1980s. Since then he has been involved in more than over 120 feature films and a myriad of documentaries and series.

He is actually named Henrik, but since childhood has always gone under the name of Gugge. He is fond of immersing himself in the sound universe and likes to work project-oriented and focus on a good storytelling through the sound side. In fact, he has always wanted to work with music and sound and has played bass since the very young years.

He gets his inspiration from life, where he is not placed in a special role as a professional. In particular, he can benefit from the creation of universes that are far from everyday life in Denmark. After many years as a self-employed person, he enjoys working together with a lot of fagnørder and gain new perspectives and pass his own experience to the students.

When he is not firmly planted in the studio with his thoughts on sound, he is happy to run a walk in the forest with his running club. But it's important for others to run with — otherwise, there's no telling stories.

Responsible for the TV and fiction department

As a 12-year-old, Henry knew that it was sound he would work with, but instead he became a skilled klejn blacksmith because someone believed that audio work was not a viable livelihood. However, he has not touched the profession since he was trained and has since then worked with the world of the Earth.

Henry is one of the most experienced in the audio and television industry with thousands of TV productions and live programs. He is the great link in GiLyd and has his finger on the pulse with all GiLyds productions. Henry is the author of GiLyd and quickly developed an ambitious company with space for more challenges and tasks.

He is decontented when he hears a good, warm and comfortable dialogue. And it is probably also why the sound is his work and hobby and life and has been the last 30 years. It also means that he can identify technical problems on the audio side by simply listening to the sound one time.

Although the work always comes first, he has made a conscious choice that there should be time to train four times a week. If you do not rørig and healthy, it becomes a problem to stand 10 hours with a boom rod, get 200 questions in a day or keep hour-long meetings. So it's important to be fresh – especially when you engage and care about everything and everyone.

We use daily freelancers for both recording and post work, our network is large, so unfortunately there is no place here on this page.